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Originally released in 2010, Phantom Knights was the highly anticipated first full-length strike from a duo of young Norwegians barely out of high school. DEATHHAMMER had established that anticipation with a clutch of demos that proved that the ancient magick of blackthrash was far from dead; with Phantom Knights, however, they resuscitated it completely! Like some strange, seamlessly authentic time-warp from the days when Sodom and especially Destruction were releasing their respective, undeniably classic debut EPs, the onward thrust-and-crush of Phantom Knights is all hysteric, high-speed energy: utterly bewitching, absolutely addicting, and impossible to deny. One of the hottest underground metal bands currently going, hear the beginnings of the DEATHHAMMER legend here!
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By now, DEATHHAMMER need no introduction. For 20 years strong, this insatiable Norwegian duo have seemingly been at the forefront of the still-burgeoning blackthrash movement; in fact, one could successfully argue that the band largely jumpstarted that resurgence and have continued to be its kings. However, “blackthrash” by definition undersells DEATHHAMMER’s irresistible (and irresistibly evil) charm: from 2010’s Phantom Knights cult debut album on to the furious pair of 2012’s Onward to the Pits and 2015’s Evil Power – both of which were released by HELLS HEADBANGERSto widespread international acclaim – sole members Sadomancer and Sergeant Salsten have steadfastly played both thrash metal AND black metal. But most importantly, DEATHHAMMER play HEAVY METAL – raging metal, evil metal, whatever you want to call it – and the next pair of 2018’s Chained to Hell and 2022’s Electric Warfare cemented that eternal metal magick.
As it goes in the DEATHHAMMER world, full-lengths may take some time – at least three years, sometimes four – but when they arrive, they remind the underground why these Norwegians are still so vital…and VIOLENT. Witness their sixth album, Crimson Dawn. Aptly titled, Crimson Dawn rips and rages with characteristically OTT power – a riot of violence, an expurse of sodomy, utterly infernal overkill – and the blood flows freely across Nordic snow. But, for however consistent DEATHHAMMER may be, it all underlines how stout and invigorating their songwriting is to begin with. Credit that to the duo’s unique interplay, both from a compositional and technical standpoint.
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